Emily Dickinsons Fascicle 17 Essay -- Emily Dickinson Fascicle 17 Poe

Emily Dickinsons Fascicle 17Approaching Emily Dickinsons meter as one large body of become can be an intimidating and overwhelming task. There are obvious themes and images that recur throughout, but with such variation that seeking out any sense impression of intention or order can feel impossible. When the poems are viewed in the groupings Dickinson gave many of them, however, possible structures are easier to find. In Fascicle 17, for instance, Dickinson embarks upon a journey toward office in her own little world. She begins the fascicle writing about her worship of the natural universe, but invokes the unknowable and religious as a means of overcoming that fear throughout her life and ends with a contextualization of herself within both nature and eternity. The first poem in the fascicle, I dreaded that first Robin so, shows us a Dickinson who is intimidated by even the most harmless creatures in the world around her. Despite the title she gives herself, The Quee n of Calvary, her fears seem to flexible joint on a feeling of inferiority to these small harbingers of spring (24). The first chirp of the robin holds some awful power, while the daffodils become fashionable critics of Dickinsons simplicity. These comparisons set Dickinson up as someone very small and childishshe cannot even stand up to birds and flowers without fear of being exposed to them and found lacking (26). The next poem, I would not painta picture continues this thinker, but with a slightly more pleasant spin. While somewhat paradoxically rejecting the idea of making art herself (even devoting a stanza to why she should not write poetry), she gives a sense of the exhilaration she finds in being the audience for any kind of art. Ultimately,... ...Dickinson has for the most part conquered her fears. As the second poem gave us the unsettling idea that the author of the poem we were reading was afraid to compose poetry, this poem shows us her coming to monetary valu e with that. Her list of creatures blessed with wonders they had not dared to hope for extends quite naturally to include her. She has come to her Heaven through poetryunexpected, but eventually with self-assertion brought about by the trials dealt with throughout the fascicle. The poems are very closely linked, each one showing us some new aspect of Dickinsons character that leads toward her confidence. Finally, Dickinson has found her voice and in this final poem proclaims that she has found a peace to which she had not dared aspire at the beginning. Now she has both nature and poetry within her graspthis is Heaven and Old Home all at once.